Project #3 – Photo Essay

Since I grew up with a father who was a firefighter in Ohio for 25 years, I’ve visited a firehouse or twelve in my day. There they are—their own separate entities—normally free from sharing walls with any other business or buildings. Sometimes in the middle of nowhere, and sometimes in an urban area, but still standing free. I figured this is just how it was until I moved to New York City in May of 2010 and basically lived above a ladder company.

To showcase these firehouses to those who live outside of New York City, I chose to have this be the topic of my photo essay. My main goal was to give my book the feel of some sort of walking tour, where the leader goes from firehouse to firehouse across both Brooklyn and Manhattan. I even stopped along to way to take photos of the more overlooked markings of the NYFD—cones, fire hydrants, trucks parked on the street, etc.

First Half of Book
Second Half of Book

Pallet Magazine: What a Beauty

Are you a fan of both drinking and beautiful print magazines filled with everything from Breaking Bad-inspired label artwork to the history of Zamrock? Of course you are, so I hiiiiighly recommend picking up issue one of Pallet Magazine—a brand spankin’ new print quarterly magazine that is a collaborative effort between Dogfish Head Founder, Sam Calagione, and the founding editors of Smith Journal, an Australian men’s quarterly. I’m not one of their sales people, I promise. Much like Calagione, I’ve never read a book or magazine on a tablet or mobile device, so I also appreciate the little things like deluxe uncoated stock.

If anyone is still working on their photo essay and needs some inspiration, you should head down to any of these places in NYC to pick up a copy. Eataly has a bunch of them on a rack by the front door if you’re in the Flatiron area. There’s a great photo essay on America’s big rig trucking culture that you should check out. Enjoy!

Photo Essay

For my photo essay, I started to think about the places that I was going to be for the next week.  I knew I was going to be in New Orleans traveling the following week to look at wedding venues, so I thought that would be a great place to take photos.  However, I was concerned that I wouldn’t have time to do the assignment so I started out with some photographs from home at the local duck pond we have, wanting to do a Hockney inspired spread from there.  Of course, the moment I began to do that, Storm Joaquin was headed our way, so every picture that I took was very grey due to the bad weather.  So I waited until I took the trip to New Orleans.  I have included some of my favorite photos from the research I did that week about Hockney and Picasso. image007image002

These were two quotes in particular that I really liked about Hockney as well:

“He took multiple pictures, concentrating on some areas, and ignoring others. Hockney then selected the photos he wanted to use, placed these onto a board, arranging them by the same decisions of “line and form” that he used when drawing a picture. The end result Hockney called a “Joiner,” a multiple photographic portrait of a place or individual, which gives the viewer a better sense of space and time than any ordinary snapshot.”

“Hockney would have had to bend down to photograph the floor, climb up ladders to photograph the street signs and walk down the highway to photograph the horizon.”

image005 The last photo being a guitar by Picasso which I found similar due to its different view points.

I have also added the next photo to this to show some of what I was looking at for the duck pond collage that I decided in the end not to put up for my assignment, but it was my first try at the Photo Collage.  I tried it many different ways and had different pathways leading to other areas but I just wasn’t into it.

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I then went to New Orleans and printed a bunch of photos I took from the first day that I arrived there.  I finally zeroed in on this one location that I really liked, and started playing around with the different photographs I took from that place.

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This was the first version that I created by playing around with zooming in and out of a photo and adding some extension.  The final one that I went with is listed below.

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I really liked this final version that I went with.  I wish I had played more with the side of the photograph and taken more photos. I definitely didn’t see the vision behind this collage until I had sat down with the printed photographs and played around with them.  I agree that the other side of the house should have been played with more. I just didn’t have enough time to do it in.  I do love how it got me started with thinking about the photo essay and it is now the first photo that you see when you open up the book.  I really enjoyed this project and wanted to go back out and do it again a couple of times.

A Reminder: The Grolier Club

The Grolier Club

You are missing another NYC gem for those of you that have not visited The Grolier Club on the upper Eastside especially if you are a lover of books, printing, collecting…and more. It is a treat to walk through an exhibit in this Club established in 1884.

Here is a quote from The Grolier Club Constitution that can describe this “to foster the study, collecting, and appreciation of books and works on paper, their art, history, production, and commerce. It shall pursue this mission through the maintenance of a library devoted to all aspects of the book and graphic arts and especially bibliography; through the occasional publication of books designed to illustrate, promote and encourage the book and graphic arts; through exhibitions and educational programs for its members and the general public; and through the maintenance of a Club building for the safekeeping of its property, and otherwise suitable for the purposes of the Club.”

Cover Design from Just So Stories by Rudyard Kipling
Cover Design from Just So Stories by Rudyard Kipling

Here is a list of their exhibitions (now through 2016).

Go to their web site for more information.

http://www.grolierclub.org

Admission: Exhibitions are open to the public free of charge

CHILDREN’S EXHBITIONS

• Now until February 7, 2016 | One Hundred Books Famous In Children’s Literature

GROUND FLOOR GALLERY

  • December 9, 2015-February 6, 2016  |“The Grolier Club Collects II.” Curated by Eric Holzenberg and Arthur Schwarz
  • February 24-May 14, 2016 | “The Royal Game of the Goose: Four Hundred Years of Printed Board Games.”
  • June 1-July 30, 2016 | “Artists & Others: The Imaginative French Book, 2000-2015.”

SECOND FLOOR GALLERY

  • November 19, 2015-January 16, 2016 | “Illustrated by Lynd Ward,” From the Collection of Robert Dance.
  • January 28-March 12, 2016 | “Blooks: The Art of Books That Aren’t,” from the Collection of Mindell Dubansky.
  • March 24-May 28, 2016 | “‘Brush Up Your Shakespeare’,” Miniature Bindings from the Collection of Neale A. and Margaret Albert.

Location & Gallery Hours 

The Grolier Club
47 East 60th Street
New York, New York 10022
212-838-6690

Call to Confirm the Hours: Monday-Saturday, 10 am-5 pm.

Hockney-Inspired Collage

When we were asked to create a photocollage using David Hockney’s own collages as inspiration in Process and Skills a few weeks ago, I was excited.  Coincidentally, I had just been researching Hockney and one of his inspirations, Cubism.  I had visited MoMA and seen the works of Picasso and other Cubist painters, and studied how they used their paintings to present layered views from many angles in order to capture a subject from all sides.  The result was a fragmented image, a painted collage.  Inspired by Cubist concepts, Hockney took numerous photographs of subjects from all angles, including their surroundings, and arranged the photos to compose a new image.

In each of Hockney’s collages, or “joiners,” he approaches his subject uniquely.  These are some of the works that most inspired my own collage:

Hockney captures the man's face and body from various angles and leaves white space between the polaroids in this collage.
Hockney captures the man’s face and body from various angles and leaves white space between the polaroids in this collage.
Hockney plays with scale, perspective and the shape of his overall collage in this
Hockney plays with scale, perspective and the shape of his overall collage in this “joiner.”
Hockney painstakingly creates a unified image from numerous photographs; the result is a more
Hockney painstakingly creates a unified image from numerous photographs; the result is a more “realistic” view of the subject, yet we still get the photographer’s perspective with the way he has photographed the ground and his shoes.

With my collage, I wanted to play with perspective, scale and shape of the overall piece.  Here is my final version, of my mother at the kitchen table (with an extra large cup of coffee!):

Photocollage by Emily Frank

Selfie Poster

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I started my selfie poster by going to a local bar I know that has one of the selfie booths and I took a series of photos that I thought would allow my personality to come through a little bit.  I wasn’t exactly sure what to do with my selfie poster so I started by cutting out the individual boxes of the selfies I had taken and then I proceeded to try and cut out some of the faces into silhouettes.  I found myself playing around and creating this sort of pyramid shape and I thought that for the letters A and G, that I would have them sort of trickling down the side of the pyramid.  The first submission of my selfie poster is listed below:

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I got some great initial comments on the poster and I did like how it had started to look but then I realized that yes I had the wrong orientation for that poster.  I then did some research into Russian Contructivism and tried to use some of that to influence the second submission of my selfie poster.  I have included some of those sketches below as well as the second submission.  As you can see, I created three different triangles instead of one and also like the left over black space from cutting out the silhouettes and I decided to incorporate that as well.

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I liked this version a lot more than the first version of the selfie poster that I had submitted.  We did discuss though that I needed to go ahead and to something more with the top.  There needed to be a bigger difference in sizes and perhaps contrast as well.  So I went back to photocopying and trying out different sizes for the silhouettes in particular.  I really liked the bottom half, it was just the top that I was trying to fix.  I have included some other sketches and research as well as the last submitted selfie poster.

IMG_0575IMG_0492IIMG_0579IMG_0585IMG_0574I really liked the final version of the poster.  When looking back at the first edition, it really did take a different turn and made great progress.  I like how the top triangle looks like it is pushing down into the bottom of the poster.  I like the contrast between the three different sections and how different they all are.  I had a lot of fun with the poster and I hope that shows!

Photo Collage

For our process and skill class we were asked to take as many pictures as possible sequently  of an event or objet to expand the sensation of depth,moment in time, and interesting point of view. Here is some inspiration that I found from David Hockneys´s work. 

paint_trolley1985 telephone pole

It´s amazing how you can still see a complete piece of something modifying the perspective direction and order of the objects.

Here it´s my work!! I chose Coca -cola because it is a product with a lot of history  but mainly because it is distinguished all around the world.Changing the direction of the pictures and playing with shapes created a much more exciting and creative work.

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A Visit to the Cooper Hewitt

This past Wednesday, my Graphic Design 1 class taught by Julia Gorton took a trip to the Cooper Hewitt Museum to view the Poster Exhibit and the Wallpaper Exhibit.  Exhibitions aside, the Cooper Hewitt on its own is worth a visit.  The building was originally a mansion; the home of Andrew Carnegie (1835-1919), steel magnate and philanthropist.  The architecture is stunning, and the location on Fifth Avenue, just across from Central Park, isn’t too shabby either.

Before this Wednesday’s visit, I had been to the Cooper Hewitt to see the poster show as research for my own poster project for my Process and Skills class.  I was thrilled with the show the first time I visited; the museum offers visitors a special “pen” to record display items with a simple touch for later viewing on a personal online page, and to virtually design various objects on large tables equipped with enormous screens.  The interaction was great, and it made saving my favorite posters so much easier than constantly taking photos and writing down names.  However, as my first visit was very early on in the semester, I could not fully appreciate exactly what I was looking at.  Now that we have done so much in-depth research, both in Graphic Design 1 and Process in Skills, on various graphic designers, I was able to make my way through the exhibit with a lot more awareness and appreciation; of Stefan Sagmeister’s work, Massimo Vignelli’s work, and so on.  It was definitely worth the second visit.

This time, too, we all got to “play” in the immersion room of the museum, where the curator has set up hundreds of patterns for visitors to project onto the wall, and design their own.  Patterns could be resized, rotated, and more.  It was very inspiring!

The “How Posters Work” exhibit is on view until January 24, 2016.  A visit is definitely recommended.  Two thumbs up!

http://www.cooperhewitt.org/events/current-exhibitions/how-posters-work/

Girls and Boys…Swedish Wooden Toys!

On view at Bard Graduate Center

from September 18, 2015 through January 17, 2016.

There are over 300 “playthings” that date from the 16th to the early 21st centuries. These wonderful toys range from mini vehicles of all kinds from old fashion wagons, trains and sailboats, to rocket ship. There are also animals, weapons, games, and dollhouses. You can see items that were mass produced but many others are one-of-a-kind wonders.

“Although Germany, Japan, and the United States have historically produced and exported the largest numbers of toys worldwide, Sweden has a long and enduring tradition of designing and making wooden toys—from the simplest handmade plaything to more sophisticated forms.” – from BGC press Release

This exhibition will may help you open your eyes to your “Inner Chid”

Wood, metal. © Roma Capitale – Sovrintendenza Capitolina ai Beni Culturali – Collezione di giocattoli antichi, CGA LS 9522. Photographer: Bruce White.
This one is Italian! Wood, metal. © Roma Capitale – Sovrintendenza Capitolina ai
Beni Culturali – Collezione di giocattoli antichi, CGA LS 9522. Photographer: Bruce White.

Bard Graduate Center Gallery, 18 West 86th Street, Manhattan, 212-501-3011

bgc.bard.edu

Life Magazine Stories with Michael Durham

This past week in Process & Skills, we met Michael Durham, a former photographer, reporter, and researcher at Life, who came to speak to our class about his experiences working for the magazine.  As we are all currently working on a photo essay, this provided us with a wonderful opportunity to learn from a professional and find inspiration.

Listening to Mr. Durham’s stories about working at the magazine was like listening to a real-life Forrest Gump.  When he began his talk with a story about how he was hired by Life after his coverage of a tuna tournament in Massachusetts was spotted by an editor from New York, I knew he was going to be interesting.  I did not quite expect, however, to hear that over the course of his 11 years at the magazine, he would meet Malcolm X, the Beatles, or the leader of the KKK, and report on the Birmingham riots and the March on Washington in 1963, the 1968 Olympics, or the gay liberation movement of 1972. He was one of the first reporters on the scene after President Kennedy was shot, and very nearly got an interview with Martin Luther King Jr.–if only he bought the Birmingham rioters whistles to divert the police dogs (rule #1–journalists shouldn’t get involved in the story they are reporting on!).  It was incredible to hear these familiar historical episodes from someone who had witnessed them so closely.

The main takeaway from all this was most certainly that reporting, and getting “the” photograph, are a lot of hard work.  Sometimes, too, it is all for naught–Mr. Durham also recounted a story of how he and a fellow photographer had made a particularly demanding trip to Antarctica for six weeks to do a story for the magazine, during which his friend fell off a mountain and nearly died, and the story never ran.  So many stories that he worked on, in fact, never ran.  Countless hours, trips, miles, and money spent for a story never to see the light of day.  I think that, for us young designers, this is a very important lesson to learn; sometimes, as students, we might spend hours, days, or weeks working on a project, for it not to work out.  We might be out there taking hundreds of photos for our essays, to only come up with 10 that carry the message we want to convey.  It’s tough work.  But hey, who’s to say that somewhere along the way, we won’t meet some amazing people and witness some incredible things, like Mr. Durham?  It’s all about the process, and I think that Mr. Durham is himself an example that hard work is not without reward; at the very least, it gives you some unbelievable memories!