AAS GD Type Meet up

Throughout the month of November and into the first week of December, I attended two out of the six AAS GD Type Meet up Peer Led Sessions. I met the lovely Lauren Peters-Collaer who is a third semester AAS GD student that will be graduating later this month. Since I was usually the only person there, the sessions were based around what I wanted to learn and work on. Lauren would always have some sort of activity/workshop planned and we would start from there. She is a great mentor that introduced me to many different resources such as: Fonts in UseType Wolf, and Typographic Posters.

Check out this animated video called Word As Image by Ji Lee and try creating your own!

She also introduced me to two typography based summer courses that would be worth checking out from SVA. If you are looking for something to do over the summer, you may want to check these out: Typography as Language and Masters Workshop. Typography as Language is a one month program that is based in New York. Masters Workshop is a two-week program that is in Italy. These sessions are taught by different guest lecturers.

For those that are interested in typography should definitely attend these sessions! Hopefully more will be scheduled soon.

“Pacino”! Sells the Poster? Who Sells the Play?

29DOLLPOSTER1-blog427 “The advertising agency Serino/Coyne created a muscular poster design for the sex-and-power drama about a wealthy businessman (Mr. Pacino), his fiancée and a phone call that upends their lives. It’s a bold treatment that features the sinewy back of a pricey-looking jet, above. Mr. Pacino’s name and the show’s title are rendered in clean, oversize block letters that change colors as they overlap the jet’s tail”.

See five more sample designs (all rejected designs) as well as read more of the NY Times article about the design process to promote this Broadway show that is scheduled to open in February 2016.

SECTION: THEATER “China Doll”: An Image Ready for Take Off | The New York Times | November 25,2015 |

http://www.nytimes.com/2015/11/29/theater/selling-china-doll-the-art-of-choosing-the-art.html?ribbon-ad-idx=5&rref=arts/design&module=Ribbon&version=origin&region=Header&action=click&contentCollection=Art%20%26%20Design&pgtype=article Continue reading “Pacino”! Sells the Poster? Who Sells the Play?

Why are these 32 symbols found in ancient caves all over Europe?

FROM TODAY’S TED TALK: Written language, the hallmark of human civilization, didn’t just suddenly appear one day. Thousands of years before the first fully developed writing systems, our ancestors scrawled geometric signs across the walls of the caves they sheltered in. Paleoanthropologist and rock art researcher Genevieve von Petzinger has studied and codified these ancient markings in caves across Europe. The uniformity of her findings suggest that graphic communication, and the ability to preserve and transmit messages beyond a single moment in time, may be much older than we think…

Paleoanthropologist and rock art researcher Genevieve von Petzinger studies the geometric signs found in early European Ice Age rock art sites. Full bio

A Reminder: The Grolier Club

The Grolier Club

You are missing another NYC gem for those of you that have not visited The Grolier Club on the upper Eastside especially if you are a lover of books, printing, collecting…and more. It is a treat to walk through an exhibit in this Club established in 1884.

Here is a quote from The Grolier Club Constitution that can describe this “to foster the study, collecting, and appreciation of books and works on paper, their art, history, production, and commerce. It shall pursue this mission through the maintenance of a library devoted to all aspects of the book and graphic arts and especially bibliography; through the occasional publication of books designed to illustrate, promote and encourage the book and graphic arts; through exhibitions and educational programs for its members and the general public; and through the maintenance of a Club building for the safekeeping of its property, and otherwise suitable for the purposes of the Club.”

Cover Design from Just So Stories by Rudyard Kipling
Cover Design from Just So Stories by Rudyard Kipling

Here is a list of their exhibitions (now through 2016).

Go to their web site for more information.

http://www.grolierclub.org

Admission: Exhibitions are open to the public free of charge

CHILDREN’S EXHBITIONS

• Now until February 7, 2016 | One Hundred Books Famous In Children’s Literature

GROUND FLOOR GALLERY

  • December 9, 2015-February 6, 2016  |“The Grolier Club Collects II.” Curated by Eric Holzenberg and Arthur Schwarz
  • February 24-May 14, 2016 | “The Royal Game of the Goose: Four Hundred Years of Printed Board Games.”
  • June 1-July 30, 2016 | “Artists & Others: The Imaginative French Book, 2000-2015.”

SECOND FLOOR GALLERY

  • November 19, 2015-January 16, 2016 | “Illustrated by Lynd Ward,” From the Collection of Robert Dance.
  • January 28-March 12, 2016 | “Blooks: The Art of Books That Aren’t,” from the Collection of Mindell Dubansky.
  • March 24-May 28, 2016 | “‘Brush Up Your Shakespeare’,” Miniature Bindings from the Collection of Neale A. and Margaret Albert.

Location & Gallery Hours 

The Grolier Club
47 East 60th Street
New York, New York 10022
212-838-6690

Call to Confirm the Hours: Monday-Saturday, 10 am-5 pm.

Visually Defining The Gender Spectrum

From The New York Times web site | STYLE Section | In All-Genger Restrooms, the Signs Reflect the Times | By Aimee Lee Ball | November 5,2015

Top, from left, all-gender restrooms at the Whitney; the University of Utah; Founding Farmers restaurant in Washington, D.C. Center, from left, the Folk Art Museum; Civic Hall; the University of Nevada. Bottom, from left, the Whitney; Hampshire College; Barnard College.
Top, from left, all-gender restrooms at the Whitney; the University of Utah; Founding Farmers restaurant in Washington, D.C.
Center, from left, the Folk Art Museum; Civic Hall; the University of Nevada.
Bottom, from left, the Whitney; Hampshire College; Barnard College.

…”Before the Whitney Museum of American Art moved to its new location in Lower Manhattan, it hosted a discussion about what it means for a museum to be a safe and welcoming space.

Providing restrooms for everyone on the gender spectrum was near the top of the list.

Read more: http://www.nytimes.com/2015/11/08/style/transgender-restroom-all-gender.html?hp&action=click&pgtype=Homepage&module=mini-moth&region=top-stories-below&WT.nav=top-stories-below&_r=0

Books


A few weeks ago we started working on a new project. We had to create the design of a book and think of a theme to research on.
Many of us came up with beautiful and creative ideas.
Here are some photos took in class of the different projects.

Juri’s very stylish and playful book – 5 sheets of paper with different styles and patterns to exchange the mannequin’s dress.
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Juri’s book – “Le petit closet”
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Sarah’s book – it has been extremely interesting to see her work in progress throughout the weeks. Her determination has over come all the struggles. This is the incredible result!
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Sarah’s book on the designer Iris Apfel

Continue reading Books

Vintage NASA graphics manual is a design nerd’s dream come true

Last week NASA released in full its circa-1976 “NASA Graphics Standards Manual” to the public after a demand was raised by a Kickstarter campaign to release it in glorious hardback.

The hefty guide had always been in the public domain but it wasn’t in such wide release or a handy PDF format until last week.

The book served as the style guide of sorts for post-Apollo NASA and features plenty of great throwback imagery, included the space agency’s new “worm logo” which then-Administrator Richard H. Truly noted “gives a feeling of unity, technological precision, thrust and orientation toward the future.”

The guide sets forth riles for signage, correspondence, even the spacing on NASA dump trucks and planes is detailed.

The agency was undergoing an identity shift as it blasted into the space shuttle era and it shows in the copy.

nasa_graphics_manual_nhb_1430-2_jan_1976-2

Clocked In: Project #1 – Self Poster

For our first project, we were instructed to design a black & white self-poster out of nothing more than a black and white photograph (taken in a photo booth), some found typography, and a photocopier.Photobooth_DW

The Beginning

After roaming from bar to bar looking for an “old fashioned” photo booth—and
consuming one too many beers—I finally discovered one at the Bushwick Country Club. Since my inspiration was the song “Clocked In” by Black Flag and a wanted poster, I knew exactly how to position myself before entering the booth.

FaIMG_20150914_0001st forward a few days—as I was walking by Strand on my way home from work, a book titled ‘The Women of The Wild West” caught my eye. I knew that this would be a great choice for my type since it fit the theme of my poster perfectly. All it needed was some scissors and a lighter (see my final poster below).

The Poster

I envisioned the type to be front and center like a traditional wanted poster you’d see in the wild west, combined with the feel of one of my favorite poster styles of all time–70/80’s punk. To add in some sense of eeriness, I decided to include two images and flip one over so the viewer feels like someone is staring at them. And not in a cute spiderman way.

After a few rounds of critiquing and a lot of great feedback from Carmile and my classmates, my poster turned out exactly how I wanted it to.

First Round DraftSecond Round DraftFinal Version

AAS Graphic Design Presents Ryan McGinness: Studio Process

Some of you may have seen the emails and posters floating around campus for this event. I decided to swing by to check it out. I wasn’t sure what to expect as this was my first time attending an AMT, Parsons event.

Ryan McGinness Event Poster

The event started off with Julia Gorton, Director for Graphic Design and Printmaking, giving a brief introduction of the guest panel: Ryan McGinness, Jess Dang and Pierre Tardif. After the introduction, we watched two short films. One can be seen on Jess’s reel. The second was the short film directed and produced by Jess Dang on Ryan McGinness’s process in solving his design problems in the studio. Then, the panel was welcomed to the stage where it took off with Pierre sharing images of his typeface called “Ryan McGinness.” This typeface was based on Ryan McGinness’s unique handwriting. Pierre saved the notes and to-do lists Ryan gave him (when Pierre was working for Ryan) and later developed this typeface.

Ryan McGinness Typeface

Ryan McGinness Typeface 2

The panel then shared with the audience what they do, how they all connected with each other and their process and challenges in their own work. The story of how they are all connected is quite intriguing. It all began with Pierre noticing Ryan’s work and falling in love with it. At the time, Pierre worked in a toy store and Ryan designed a ball that the toy store carried. One day, someone came in wanting to know how many they have left in stock and Pierre was really excited that others knew about Ryan as well. A few weeks later Pierre received a package in the mail with a note from Ryan thanking him for checking on the stock of the balls and a signed book. Pierre then decided he wanted to personally thank Ryan so he went to his studio and pretended to be delivering a package and met Ryan. Later, Pierre was given the opportunity to work for Ryan. Pierre and Maria Wan knew each other from Parsons. That is also how they know Julia. Maria also worked for Ryan. Jess discovered Ryan’s work through a book she purchased and later gave away to a friend. Jess was a MFA Film student at USC and knew that Maria worked for Ryan and asked Maria to connect them post graduation. Jess and Ryan connected and met in person and it launched into this short film project which we were given the opportunity to see. This really shows that the people to you know and the connections you make matters!

Ryan McGinness Panel Ryan McGinness Panel 2

The panel discussion and the followup Q&A portion of the evening was definitely the highlight for me. Both Ryan and Pierre studied Graphic Design in school and have expanded their work to other mediums. Pierre said that Graphic Design provides the visual training to allow us to do so many other things, which I never really thought of. To be honest, I didn’t and still don’t know what aspect of graphic design I would like to explore in-depth. For now, I just want to focus on obtaining all the skills and soaking as much in as possible. I have learned to realize that life will work itself out and opportunities will present itself at the right time.

Ryan talked a bit more about his process and how particular he is with keeping everything the same format. He has a lot of sketch books that are all the same size. He emphasized that keeping everything in the same format is crucial. His sketch book is his idea book and encouraged everyone to just keep sketching. He puts everything and anything on the pages with ink. He also keeps all of his sketch books and archives them every year. He also loves to-do lists and calendars. He is very particular about the sizing and formatting for that as well. He used to create his own to-do pads and calendars by cutting 8.5″x11″ sheets in half lengthwise and gluing them together in a pad. Later, he found a printer (Ginko Press) that would print these pads for him. You can buy it from Ginko Press or from his online store RM Store.

Another thing that he loves doing is to create books. These books are compilations of his works and allows him to compartmentalize his life. For him, the books literally symbolize the end of a chapter for him. He used to do this annually with all the projects he completed that year. He described this process to be very fluid. He would collect materials, take pictures of process and how things are made. Again, he would follow his format and keep the books at 8.5″x11″.

The process he takes to approach a new design problem is always start with sketching. It is very important to sketch before moving to the computer or other technological mediums. Ryan loves to sketch and again, it is always the same format, India ink on paper, chiseled tip pen in three different sizes. He always starts with thumbnails in his sketch books and then move to 22×30″ paper leaving a 2″ border. He moves in a linear progression as he always ends up with a sketch of a sketch. The sketches then turns into a drawing leading to the final solution. The solution then goes to the technical stage which then translates into a digital image.

All three panelists agree that routine in their work is important to them as it sets down the parameters of what needs to get done and make decisions in a timely manner. There are also systems to allow for creativity and craziness to happen. Flexibility in the projects themselves will give them change and variety.

Time management is key in design. Ryan explains that he isn’t good at prioritizing as everything has the same level of importance to him. As mentioned previously, Ryan is big on to-do lists and will keep them all over the place in the studio. The things that makes it on the list is what is important for him to complete. He mentioned that sometimes he will procrastinate by doing other smaller projects that he knows he can complete faster first. He also used to make time sheets to keep track of where all his time goes. He would log the number of hours he spends on a project and also administrative time to see what is sucking up time. For Jess, learning to walk away from her work and take breaks was pivotal. By doing this, it makes it more manageable and realistic not only for herself, but the client as well. Julia shared that for her, it’s the 30-minute train ride that she finds herself to be the most efficient. As a designer, you will need to find you own method to control this madness. It is also very important to make time for yourself in your creative practice or you won’t have a creative practice.

Sometimes, as designers, we get stuck. Ryan said he doesn’t really get stuck because he has so much to do and not enough hours in a day to complete everything. Don’t we all wish we could be like him and not ever have to worry about getting stuck? Pierre said that when that happens to him, he will walk away from it. If there is time, he would sleep on it. For Jess, to get unstuck she would get on a plane and travel to stimulate her mind. Letting go for a bit and enjoy a nice meal or catch up with a friend also helps.

My key takeaways from the session:

  1. Sketch, sketch and sketch! Just keep sketching and don’t treat my sketchbook as a precious thing, put any and all ideas that come to mind into the sketch book. It can be chicken scratch. Sketchbooks do not need to be perfect!
  2. Track my work hours to determine where I’m spending most of my time and adjust my process. This will help me figure out where all my time went when a deadline is approaching and I’m not close to where I want to be.
  3. Get unstuck by leaving the work for a bit, sleep on it, go out and explore more, try new things and travel.

It is nice to know that I am doing something right already. I went out and had some fun this week…

Trapeze

The peerless typographic skills of Hermann Zapf

John McWade
Senior Staff AuthoR, lynda.com at LinkedIn

Hermann Zapf, a giant in the world of type design, died on June 10, at 96. He is best known for his typeface Palatino. Zapf also designed the famous typeface Optima, which in the 1950s was revolutionary for being a sans-serif with roman type characteristics, and which you can see (one among countless places) on the Vietnam Veterans Memorial wall. Other Zapf designs include Melior, Aldus Nova, Zapfino, and even Zapf Dingbats.

Below is a grainy 19-minute interview filmed by the Hallmark company in what appear to be the early 1960s, giving a glimpse of his astounding lettering skills.

 

At the top of this post, a still from the film shows the typeface Melior as he’s lettering it freehand! Who else can write in typography?! Below is the widely available digital version, which in the translation to digital has lost the original’s gracefully cupped serifs (easiest to see at the top of the letter l), making it plainer and less beautiful.

Editor: Katarzyna Gruda